"Comics erode the most fundamental habits
of humane, civilized living."

Bill Pearson

The American DreamSam Zabel and the Magic Pen
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Monster Manual Week: the dreaded STIRGE!

March 20th, 2013

Stirge-600px

CLICK IMAGE FOR LARGER VIEW

monster_manualThis week for my morning sketches, I’m drawing creatures from the 1st edition Advanced Dungeons & Dragons Monster Manual (1977) – one of the first role-playing game books I ever owned.

First up is a monster I’ve always found especially terrifying (despite its low level): the Stirge. They usually attack in groups (of 3-30) and, as the Monster Manual explains, “they lay in wait for warm-blooded creatures, swoop down, and when their long, sharp proboscis is attached, the blood of the victim is drawn through to be eaten” (shudder).

You can see the original Monster Manual illustration (by David C. Sutherland III) of the Stirge (along with later versions) at Bogleech.

BUY THIS SKETCH
Stirges
(ink, watercolour & coloured pencil on 300gsm paper)
A5 (148 x 210mm, 5.7 x 8.3 inches)

US $ 60 (+$5 postage)
SORRY – SOLD

Sketch a Day (Cartoonist week): Jack Kirby

March 15th, 2013

Two sketches today. Bear with me…

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Jack Kirby (Jacob Kurtzberg, USA, 1917-1994)

Comics Will Break Your Heart
(pencil & watercolour on 300gsm paper)
A5 (148 x 210mm, 5.7 x 8.3 inches)

US $ 50 (+$5 postage)
SORRY – SOLD

This sketch tells the story behind the quote that opens Hicksville. It was told to me by James Romberger, an artist and cartoonist whose amazing graphic novel Seven Miles a Second (written by activist and artist David Wojnarowicz) has just been reissued by Fantagraphics.

In the 1980s, Romberger met Kirby at a convention in New York. Kirby kindly looked at Romberger’s work and then gave him a piece of advice: “Kid, you’re one of the best. But put your work in galleries. Don’t do comics. Comics will break your heart.”

Romberger followed Kirby’s advice for years, mostly exhibiting in galleries, while drawing comics for alternative and literary magazines – and occasionally for commercial publishers – on the side. When the first edition of Seven Miles a Second was published by Vertigo in 1996, Romberger mentioned in his artist’s bio that he’d once been told by Jack Kirby “comics will break your heart.” As soon as I read that, I knew I would have to use it in Hicksville. I’m grateful to Romberger for later sharing the full story with me and I urge you all to buy his & Wojnarowicz’s extraordinary book.

Anyway, after drawing this sketch, I felt so sad I had to draw Kirby again – but this time the young Kirby, on the eve of World War Two, when American comic books were new and he was one of the people carving its mythology out of nothing, at the beginning of his extraordinary career. So here he is…

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Young Kirby
(pencil & watercolour on 300gsm paper)
A5 (148 x 210mm, 5.7 x 8.3 inches)

US $ 50 (+$5 postage)
SORRY – SOLD

There you have it. Having done two today, I’ll probably take a break over the weekend and return with more sketches next week (and, hopefully, some new Magic Pen pages too).

Sketch a Day (Cartoonist week): George Herriman

March 14th, 2013

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George Herriman (USA, 1880–1944)
The great gentle genius George Herriman, writer and artist of Krazy Kat.

(pencil & watercolour on 300gsm paper)
A5 (148 x 210mm, 5.7 x 8.3 inches)

Buy this sketch!
US $ 50 (+$5 postage)
SORRY – SOLD

ART SALE: Hicksville page 115

March 13th, 2013

hicksvillepg115-sold

CLICK IMAGE FOR LARGER VIEW

Another page at half price, while I work at getting my online shop set up.

This one’s the original art for Hicksville page 115.

Sam is at Dick Burger’s birthday party, feeling awkward and out of place. I’m quite fond of this page. Some highlights include:

  • Cincinnati Walker’s first appearance (Cincinnati is one of my favourite characters. I’ve planned a whole story about her & Sam set a few years after Hicksville, which I hope to draw one day).
  • Stan Lee cameo in panel 1.
  • You can see where I fixed up a spelling mistake in Cincinnati’s name. Also where I had second thoughts and whited out a tattoo on her right shoulder.
  • OK, so if you want this page, hit the Paypal link below: (Sorry – someone bought it already)

    Hicksville page 115
    (marker pen & white-out on ivory board)
    430mm x 292mm, 16.9 x 11.5 inches
    US $ 79
    (including postage)
    SORRY – SOLD

    Sketch a Day (Cartoonist week): Tove Jansson

    March 13th, 2013

    ToveJansson

    Tove Jansson (Finland, 1914–2001)

    Writer, artist, creator of the Moomins. Go look.

    (pencil & watercolour on 300gsm paper)
    A5 (148 x 210mm, 5.7 x 8.3 inches)

    Buy this sketch!
    US $ 50 (+$5 postage)
    SORRY – SOLD

    Sketch a Day (Cartoonist week): Hergé

    March 11th, 2013

    Hergé-500px

    After last year’s enormously fun watercolour commission frenzy (see the results here and here), I’ve decided this year to try doing a sketch a day (for as long as it’s still fun). Each week will have a different theme*, and what better theme to kick things off than Portraits of Cartoonists! And what better cartoonist to start with than…

    Hergé (Georges Remi, Belgium, 1907-1983)

    Writer, illustrator, Boy Scout and tortured artist, Georges Remi is best known as the creator of Tintin. Remi pioneered the Ligne Claire style that dominated Franco-Belgian comics for a generation. An asteroid discovered in 1953 is named in his honour (1652 Hergé) and another (1683 Castafiore) bears the name of one of his creations, the Milanese Nightingale.

    (pencil & watercolour on 300gsm paper)
    A5 (148 x 210mm, 5.7 x 8.3 inches)

    Buy this sketch!
    US $ 50
    (+$5 postage)
    SORRY – SOLD

    *Note: I reserve the right to repeat a theme if I like it too much to stop.

    Making scratchboard art with Line Hoven

    March 8th, 2013

    Working1

    Line Hoven Liebe schaut weg Reprodukt german comic

    Get this book!

    Yesterday I attended a workshop run by Line Hoven, whose beautiful graphic novel Liebe schaut weg (Reprodukt) is due to come out in English as Love Looks Away from Blank Slate Books.

    Line is visiting New Zealand (along with fellow German cartoonist Mawil) thanks to the Goethe Institute, whose exhibition Comics, Manga & Co: The New Culture of German Comics is currently showing at the St Paul St Gallery (alongside an exhibition of New Zealand comics, Nga Pakiwaituhi). Line and Mawil are also doing workshops and other public events in Wellington next week. Thanks also to AUT University and the Auckland Arts Festival.

    Line

    Line Hoven using my coloured pencils to make something fabulous

    Line works with scratchboard (also known as scraperboard), and her workshop was the first time I’d really tried it. Scratchboard is an art board with three layers. The top layer is black ink, covering a layer of white chalk. You use a knife to scrape away the black ink, making a white line.

    I’ve always been intimidated by it as a medium, but Line quickly overcame that fear and everyone there was soon happily scratching away, discovering a whole new way of making art. By the end of the day, I’d fallen in love with the process, which is slow, pleasurable and almost meditative. Each movement of the knife reveals a bright new line – kind of like pulling away the curtain to let in the light. It’s delicious.

    The work I made was based on the cover of Atlas #2. It’s 250 x 307 mm, and you can buy it below (sorry – it’s sold).

    ylena scraperboard

    (Click for larger image)

    YLENA
    (250 x 307mm, 9.8 x 12 inches, scratchboard)

    US $100
    + $9 postage

    SOLD

    ART SALE: Hicksville page 59

    March 6th, 2013

    hicksvillepg59-SOLD

    CLICK IMAGE FOR LARGER VIEW

    OK, so yesterday’s art sale went so fast it left a few people disappointed. So here’s another page at the same price.

    This is the original art for Hicksville, page 59. Marker pen on ivory board (430mm x 297mm, 16.9 x 11.7 inches).

    Leonard Batts interviewing Dick Burger in Los Angeles. Includes some memorably ironic dialogue: “I guess there isn’t much of a comics scene in Hicksville” and “Just forget about Hicksville, okay? There is nothing interesting about Hicksville. We’re not going to talk about it.”

    My favourite thing about this page is the black border. If you look closely, you can see decorative patterns drawn behind (or within) the black. That’s because the black border was inked by my adorable wife Terry, and when she got bored she would start drawing patterns and flowers and Pacific motifs before covering it all with solid black. None of that is visible in the printed book, of course, but it’s clearly there in the originals.

    US $ 79 (including postage)
    SORRY – SOLD

    ART SALE: Hicksville page 97

    March 5th, 2013

    HicksvillePg97-sold
    CLICK IMAGE FOR LARGER VIEW

    Time to clear out some art. I normally charge a lot more for original art, but today I’m in the mood to clear stuff out. So… prices slashed! etc etc.

    This is the original art for Hicksville, page 97. Marker pen and correction fluid on ivory board (426mm x 292mm, 16.8 x 11.5 inches).

    Leonard Batts is finishing a letter to his editor, when another page of Augustus E’s mysterious comic appears.

    US $ 79 (including postage)

    SORRY – SOLD

    Print sale: Netball over Treviso

    March 2nd, 2013
    Click for larger image

    Click for larger image

    These limited edition prints were made for the Treviso Comic Book Festival in Italy last year. The theme of the festival was “comics and sport” and New Zealand was the guest country (as reported at From Earth’s End and Pikitia Press). Hence the image of a saintly Silver Fern over Treviso.

    They’re high quality Giclée prints on heavy German etching paper.
    Dimensions: A3 (297 x 420 mm, 11.7 x 16.5 inches).
    Shipped rolled in tube.

    Price: US $49 (including postage)
    (Signed by the artist)