Come along this Thursday and help celebrate the launch of Mike Johnson’s new novel Travesty, illustrated by the mighty Darren Sheehan (co-creator of The Inhabitants comics). I’ll be there, toasting the good ship Travesty as it sets out on its journey…
Doujin Overload is Auckland’s annual doujinshi festival – a celebration of manga and anime and a chance for local artists to show off (and sell) their work. It’s been going for 5 years, but every time I’ve tried to go, something would come up and scuttle my plans. This year, however, I will definitely be there, as an invited exhibitor!
The organisers (among them The Graphic Novel Cafe) are keen to encourage links between the local doujinshi scene and the wider New Zealand comics community, so if you’re unfamiliar with NZ manga come along and discover this thriving and energetic scene.
Doujin Overload
10am to 5pm, Saturday 24 July 2010
at the Hyatt Hotel (Regatta Rooms) (click for map)
Entry is only $2.00
Roger Horrocks (that’s my Dad) has written various books about New Zealand-born artist and film-maker Len Lye, including the definitive biography. For his latest book, a study of Len’s work as an art of movement, Dad also made an 18-minute film – a dramatisation of key moments in Lye’s childhood and youth, when his fascination with light and motion set him on the path to becoming a pioneering kinetic artist. The film features various family and friends in the role of Lye; my hand has a brief cameo as Len’s hand drawing in a sketchbook and my 4-year old nephew Oscar appears as the Very Young Len.
The film is included on a DVD (along with some of Lye’s own films and footage of his kinetic sculpture in action) that comes with the book, also called Art That Moves (available from Amazon here).
If you’ve never come across Len Lye before, here’s one of my favourite of Lye’s films, which was made by scratching directly onto the celluloid itself:
And this is an excerpt from an earlier documentary about Lye made by my step-mother, showing one of his awe-inspiring sculptures doing its thing:
As well as having an enormous influence on the development of serious, honest, personal comics, Harvey Pekar was also a genuine working-class intellectual, who worked hard to bring some real politics to America’s anemic public discourse.
Watch this great clip from 1987, when Harvey went on Late Night with David Letterman and tried to talk about the corporate crimes of General Electric (the owners of Letterman’s network NBC). Chaos ensued – and, however briefly, the veil was torn away to reveal the power of money over what gets discussed and televised. It’s an awesome thing to watch.
Harvey had a tough life, but he turned it into something beautiful and transformative. Thanks for everything, Harvey.
My very cool sister Simone Horrocks’s new feature film has its New Zealand premiere tomorrow (July 14), at the NZ Film Festival. After the Waterfall is Simone’s first feature, but her shortfilms have done very well, including winning a prestigious prize at the Berlin Film Festival.
Adapted from Stephen Blanchard’s novel Paraffin Child, After the Waterfall is about a man whose young daughter goes missing; itfollows his descent into darkness and slow climb back into daylight. There are many great things about this film: Antony Starr’s extraordinary performance in the lead role (the whole cast are excellent), a powerful sense of place (Auckland’s west coast and suburbs), and an emotional intensity that will leave you reeling, but greatly enriched. I’m very excited about it – and very proud of my awesome sister.
Anyway, if you’re in Auckland or Wellington, you can catch After the Waterfall at the NZ Film Festival (tickets available here). I’ll post any later release news as I hear it.
And here are some interviews with Simone and other news about the film:
Cartoonist Dylan Horrocks on a peculiar trip through his listening habits, which have informed his own work like Hicksville and Café Underground, and even crept in when he was working on Batman.
He recounts how he managed to introduce a character based on Bjork into a Neil Gaiman spin-off book Hunter; how his passion for “beard music” contrasts with his father’s passion for extreme noise metal; and how creating worlds on paper requires a soundtrack.
Sadly, much of the music is edited out of the podcast for copyright reasons (sigh). So feel free to pause the podcast at the relevant points and insert the music, with the help of these links (thank you, internets!):
Gillian Welch & David Rawlings: Pocahontas (a cover of the Neil Young song). This song, sadly, is hard to find. Videos of it have been removed from YouTube, and as far as I can tell, it’s only available on a live concert DVD.
(note: as always some errors crept into the interview. For example, I didn’t draw Batgirl and Batman – I wrote them, of course. But few people outside the comics industry get that distinction, so I’m kinda used to it).
An interview with me (with music I chose) will play on several student radio stations this Saturday (June 12th). The Listener has details here.
It’s part of a series called Seeded, in which artists talk about their work and music they love. It will be podcast on 95bfm’s site some time next week. I’ll post that link as soon as it’s available.
Bernard Caleo blogs about my visit to Melbourne, SupaNova, and the week-long cartoonists’ workshop we held at the Wheeler Centre. This is an ongoing series of blog posts by Bernard about that eventful week, so check in again for more installments.